|
|
| • |
What’s
Love Got To Do With It?
Imtiaz
Ali, the director of Jab We Met, shows a deft hand at spinning
modern fairy tales for the urban heart, says NISHA
SUSAN |
| • |
The
Golden Girls Of Sonagachi
No
morality. No tragedy. Writer DILIP D’SOUZA
and photographer TOM PIETRASIK
get themselves a reality check in Kolkata’s largest red light area
|
| • |
The
Heart Of Our Ugliness
Relentlessly
political, Dalit artist Savi Sawarkar challenges urban audiences. His broken
bodies force viewers out of their comfort zones, says APOORVANAND
|
| • |
The
Beatitudes Of A Bountiful Bhabhi
India’s
first online pornstar amuses more than titillates, finds ANASTASIA
GUHA |
| • |
Storm
Trooper
Lawrence
Rajendran is a young scientist whose recent discovery puts him at the forefront
of the treatment of Alzheimer’s disease. NISHA
SUSAN reports |
| • |
The
Quick And The Dead
The
Internet as we know it could change forever if some US telephone companies
have their way, says
ANIL VERGHESE |
| • |
‘Slow,
unthinking people make me angry’
SANJEEV
KAPOOR, Chef |
| • |
Meatless
Bones
Tony D’Souza’s
new novel disappoints with its inert handling of the immigrant struggle
story, says LAKSHMI INDRASIMHAN
A
Tame Sort Of Scandal
Ameen Merchant's
'The Silent Raga' is an inane romance that needed a dash of grime, writes
NISHA SUSAN
The
Word
AMRUTA
PATIL,
Writer-Illustrator
|
| • |
Video
Coach Watching
How
long can one cling to the life jacket of Warsi's acting when everything
else is dragging this ship to the very bottom of the sea? Asks
VIVEK NITYANANDA while reviewing the film ' Mr White Mr
Black'. |
| • |
First
Look: Books
|
| • |
First
Look: Documentary
|
| • |
Master
Takes
Culture
critique by those who know |
| • |
Vanity
Fair |
| • |
‘As
the crowds waited, I sat inside, cajoling this debauched man’
Homi
Adajania Is 36. He is a Mumbai-based filmmaker, a scuba
diving instructor, a travel writer and an adventure sports enthusiast |
